SEMPRE Day Conference
Composition and Computer-Assisted Music-Making, ABSTACT
Title
ET - Extended Trombone, making music with sound libraries
Abstract
Are search engines musical? Can we use them in combination with sound libraries as a direct route to creating sonic structures? Is it possible to perform a sound library?
Sound library and categorisation systems are essential tools in sound design and computer-based composition. Categorised thinking about sound in order to create compositional structures is not a new idea, the work of Edgar Varèse illustrates the potential for “library thinking” well.
Conventionally, a library of sounds will be searchable by keywords relating to a particular sound and this is useful for getting the right (or nearly right) sound for a particular task. We have found that search results reveal structures that can be musically useful, especially in improvised and live performance contexts. John Kenny has been developing extended techniques for the trombone across his entire career and we have been working together to develop a sound library of some of these effects. We have been using the library to create live performance structures and have also been experimenting with using live musical input to search the library and display results. Working in this way permits the roles of the two musical agents (performer / computer) to switch responsibility from leader to follower whenever this is required.
Keywords
Configurable composition, Extended instrumental technique, sound libraries,
MaxMSP, improvisation with computers
Resources
Martin Parker; http://www.tinpark.com
John Kenny; http://www.carnyxscotland.co.uk
Bibliography
Russolo, L. (1913). Coral Musica Futurista The art of noise, LTM Publishing / DRA
http://www.emusic.com/samples/m3u/song/10876185/13556569.m3u
Tufte, E. R. (1990). Envisioning information. Cheshire, Conn. (P.O. Box 430, Cheshire 06410), Graphics Press.
Varèse, E. (1924). Hyperprism, for small orchestra and percussion. London,, Curwen.
Webern, A. (1929). Symphonie, für Klarinette, Bassklarinette, 2 Hörner, Harfe, 1. und 2. Geige, Bratsche, und Violoncell, op. 21. Wien,, Universal Edition.
Biography;
Martin makes music, designs sound and creates interactive visuals involving computers and live musicians. He studied composition at the University of Manchester and completed a Ph.D in Composition at the University of Edinburgh in 2003. He performs widely as a soloist with laptop and is a member of concert remixing duo SNAIL. Some of his music is available on Ein Klang records; http://www.einklangrecords.com.
More information is available here; http://www.tinpark.com and here http://sd.caad.ed.ac.uk/mscsounddesign