60 http://www.tinpark.com/?q=node/307 Drupal Audio Playlist Modulemp@tinpark.com (Martin Parker)Wed, 23 May 2007 12:04:15 +0200 en2007, Martin ParkernoMartin ParkerMartin Parkermp@tinpark.com http://www.tinpark.com/?q=node/304 http://www.tinpark.com/?q=node/304 Martin Parker ZAM_Episode 08 Martin Parker A final argumentative blast of sample manipulation. A final argumentative blast of sample manipulation. uploaded by at http://www.tinpark.com A final argumentative blast of sample manipulation. 0:56 Tue, 22 May 2007 22:44:44 +0200 http://www.tinpark.com/?q=node/303 http://www.tinpark.com/?q=node/303 Martin Parker ZAM_Episode 07 Martin Parker Again, more sample manipulation of the Flugelhorn. Again, more sample manipulation of the Flugelhorn. uploaded by at http://www.tinpark.com Again, more sample manipulation of the Flugelhorn. 0:51 Tue, 22 May 2007 22:42:36 +0200 http://www.tinpark.com/?q=node/302 http://www.tinpark.com/?q=node/302 Martin Parker ZAM_Episode 06 Martin Parker This is a distorted version of sample manipulation of samples gathered live from my Flugelhorn. This is a distorted version of sample manipulation of samples gathered live from my Flugelhorn. uploaded by at http://www.tinpark.com This is a distorted version of sample manipulation of samples gathered live from my Flugelhorn. 1:58 Tue, 22 May 2007 22:40:59 +0200 http://www.tinpark.com/?q=node/301 http://www.tinpark.com/?q=node/301 Martin Parker ZAM_Episode 05 Martin Parker Performed with live grabs from Lawrence Casserley and using a Roland SPD-6 drum pad and a lot of sample/time-based processing. Sounds like okd-school Cologne electronica. Performed with live grabs from Lawrence Casserley and using a Roland SPD-6 drum pad and a lot of sample/time-based processing. Sounds like okd-school Cologne electronica. uploaded by at http://www.tinpark.com Performed with live grabs from Lawrence Casserley and using a Roland SPD-6 drum pad and a lot of sample/time-based processing. Sounds like okd-school Cologne electronica. 3:40 Tue, 22 May 2007 22:37:04 +0200 http://www.tinpark.com/?q=node/300 http://www.tinpark.com/?q=node/300 Martin Parker ZAM_Episode 04 Martin Parker uploaded by at http://www.tinpark.com 3:00 Tue, 22 May 2007 22:25:01 +0200 http://www.tinpark.com/?q=node/299 http://www.tinpark.com/?q=node/299 Martin Parker ZAM_Episode 03 Martin Parker Episode 03 also uses the Spectral Tourist Episode 03 also uses the Spectral Tourist uploaded by at http://www.tinpark.com Episode 03 also uses the Spectral Tourist 3:56 Tue, 22 May 2007 19:05:14 +0200 http://www.tinpark.com/?q=node/298 http://www.tinpark.com/?q=node/298 Martin Parker ZAM_Episode 02 Martin Parker Episode 2 uses the Spectral Tourist to remix some of Lawrence Casserley's music. Episode 2 uses the Spectral Tourist to remix some of Lawrence Casserley's music. uploaded by at http://www.tinpark.com Episode 2 uses the Spectral Tourist to remix some of Lawrence Casserley's music. 5:46 Tue, 22 May 2007 19:03:50 +0200 http://www.tinpark.com/?q=node/297 http://www.tinpark.com/?q=node/297 Martin Parker Episode 01 Martin Parker Episode 1, performed with Flugel Horn and Computer using the Envrionment System Episode 1, performed with Flugel Horn and Computer using the Envrionment System uploaded by at http://www.tinpark.com Episode 1, performed with Flugel Horn and Computer using the Envrionment System 7:30 Tue, 22 May 2007 19:00:17 +0200 http://www.tinpark.com/?q=node/311 http://www.tinpark.com/?q=node/311 Martin Parker Endless Song, Martin Parker Martin Parker Below are instructions from the ZAM team in Cologne who asked all the participants in the festival to create an electronic response to a 60 second selection of sound from the ZAM festival (Part of the Köln Triennial 2007) If you wish to download this file and process it into some other 60 second racket, then please do so. Email the mp3 back to the email addresses below and send the file onto someone else. A full resolution version of this sound file is available for download here; http://sd.caad.ed.ac.uk/tinpark/media/sound/EndlessSong_MartinParker.aif This file was created using some of my improvisation software and is a single take from the output of this. I then normalized it and rebalanced the left and right channels but have done nothing else to the output. /// "You should do sth with it (processing, additional recordings, WHATEVER ...) The sample should be kept to the duration of 60 seconds. The changed material should be sent to info@z-a-m.eu and to another musician of your choice. (we archive at our site the whole thing to built up a structure getting bigger and bigger and more complex over a period of time after several generations worked on the sample - therefor we need the information of the global position of each musician who worked on the sample) You are the first generation of the game. Each generation has to follow the same two rules. 1. you should do "sth" with the sample 2. you should send it to: info@satelita.de (within the email, we need your name and your global position = city where you live) 3. you should send your final outcome to another musician" Below are instructions from the ZAM team in Cologne who asked all the participants in the festival to create an electronic response to a 60 second selection of sound from the ZAM festival (Part of the Köln Triennial 2007) If you wish to download this file and process it into some other 60 second racket, then please do so. Email the mp3 back to the email addresses below and send the file onto someone else. A full resolution version of this sound file is available for download here; http://sd.caad.ed.ac.uk/tinpark/media/sound/EndlessSong_MartinParker.aif This file was created using some of my improvisation software and is a single take from the output of this. I then normalized it and rebalanced the left and right channels but have done nothing else to the output. /// "You should do sth with it (processing, additional recordings, WHATEVER ...) The sample should be kept to the duration of 60 seconds. The changed material should be sent to info@z-a-m.eu and to another musician of your choice. (we archive at our site the whole thing to built up a structure getting bigger and bigger and more complex over a period of time after several generations worked on the sample - therefor we need the information of the global position of each musician who worked on the sample) You are the first generation of the game. Each generation has to follow the same two rules. 1. you should do "sth" with the sample 2. you should send it to: info@satelita.de (within the email, we need your name and your global position = city where you live) 3. you should send your final outcome to another musician" uploaded by at http://www.tinpark.com Below are instructions from the ZAM team in Cologne who asked all the participants in the festival to create an electronic response to a 60 second selection of sound from the ZAM festival (Part of the Köln Triennial 2007) If you wish to download this file and process it into some other 60 second racket, then please do so. Email the mp3 back to the email addresses below and send the file onto someone else. A full resolution version of this sound file is available for download here; http://sd.caad.ed.ac.uk/tinpark/media/sound/EndlessSong_MartinParker.aif This file was created using some of my improvisation software and is a single take from the output of this. I then normalized it and rebalanced the left and right channels but have done nothing else to the output. /// "You should do sth with it (processing, additional recordings, WHATEVER ...) The sample should be kept to the duration of 60 seconds. The changed material should be sent to info@z-a-m.eu and to another musician of your choice. (we archive at our site the whole thing to built up a structure getting bigger and bigger and more complex over a period of time after several generations worked on the sample - therefor we need the information of the global position of each musician who worked on the sample) You are the first generation of the game. Each generation has to follow the same two rules. 1. you should do "sth" with the sample 2. you should send it to: info@satelita.de (within the email, we need your name and your global position = city where you live) 3. you should send your final outcome to another musician" 1:00 Tue, 17 Jul 2007 00:55:19 +0200