In Formation

5:32 minutes (4.84 MB)

Tribbute to Sue

5:15 minutes (7.21 MB)

The Pugelist in Training

4:05 minutes (4.05 MB)

The Girl Counts

1:04 minutes (813.46 KB)

Jamie and John joystick and trombone improvisation

Jamie and John Kenny play a solo with the system, live in Glasgow Fruitmarket.
Video shot by Ian Dodds, used with thanks.


Endless Song, Martin Parker

1:00 minutes (942.9 KB)

ZAM_Episode 08

0:56 minutes (1.41 MB)

ZAM_Episode 07

0:51 minutes (1.37 MB)

ZAM_Episode 06

1:58 minutes (3.1 MB)

ZAM_Episode 05

3:40 minutes (5.57 MB)

ZAM_Episode 04

3:00 minutes (4.17 MB)

ZAM_Episode 03

3:56 minutes (7.63 MB)

ZAM_Episode 02

5:46 minutes (7.97 MB)

ZAM_Episode 01

7:30 minutes (6.87 MB)

March and Remix

7:33 minutes (6.92 MB)

Improvisation

7:38 minutes (6.99 MB)

Environment for Stone Violin - Live_Viol_Version

6:14 minutes (5.72 MB)

Martin Parker: Filament Live at Cubed

7:20 minutes (6.72 MB)

SEMPRE Day Conference, Composition and Computer-Assisted Music-Making

31/03/2007 - 10:21
31/03/2007 - 17:21
Etc/GMT

Title
ET - Extended Trombone, making music with sound libraries

Abstract
Are search engines musical? Can we use them in combination with sound libraries as a direct route to creating sonic structures? Is it possible to perform a sound library?

Sound library and categorisation systems are essential tools in sound design and computer-based composition. Categorised thinking about sound in order to create compositional structures is not a new idea, the work of Edgar Varèse illustrates the potential for “library thinking” well.

Conventionally, a library of sounds will be searchable by keywords relating to a particular sound and this is useful for getting the right (or nearly right) sound for a particular task. We have found that search results reveal structures that can be musically useful, especially in improvised and live performance contexts. John Kenny has been developing extended techniques for the trombone across his entire career and we have been working together to develop a sound library of some of these effects. We have been using the library to create live performance structures and have also been experimenting with using live musical input to search the library and display results. Working in this way permits the roles of the two musical agents (performer / computer) to switch responsibility from leader to follower whenever this is required.


Construction Tourist

17/05/2007 - 14:54
Etc/GMT

Performance at the Music Trienneal, Cologne


An4gliDN5glisAn4

0:02 minutes (29.43 KB)

Trombone Fanfare Duo

0:14 minutes (222.9 KB)

Line Tones Stone_01

Line Tones first performance. Stone 1 of 5 drawn by Anna Chapman, sound by Martin Parker


can't play keyboards

6:18 minutes (7.49 MB)

Dialogues 2006 Documentary Video

Dialogues 2005 Documentary video created by students on the MSc in Sound Design and Design and Digital Media, class of 2004-5.
For more information check out http://www.dialogues2005.com


Tribute to Anton.aif

1:41 minutes (3.4 MB)

23-11-06-Take01-Section1

4:29 minutes (5.65 MB)

Tinpark Sound Installations

Sound installations by Tinpark, podcast of audio extracts. Subscribe to podcast in iTunes here;http://www.tinpark.com/node/260/podcast

Tinpark, Compositions

Martin Parker's compositions 1997-2006. Subscribe to podcast in iTunes here; http://www.tinpark.com/?q=node/259/podcast